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Courses

MT 098: Fundamentals of Music

0 cr.

Rudiments of music including note identification, rhythm, time signatures, key signatures and the basics of song leading. Required of students who did not pass the Music Qualifying Test.

Sec Days Time Room
1M3:00–3:50FA120
2TH3:00–3:50FA120

MT 099: Rudiments of Music

0 cr.

Intensified review of music fundamentals: key signatures, scales, intervals, triads and inversions. Also includes fundamental aural skills. Open to Theory I students who did not pass the Music Fundamentals Test. Meets for six weeks, three times a week.

Corequisite: MT 105.

Sec Days Time Room
1MWF7:00–7:50FA224

MT 105: Theory I

4 cr.

Accelerated review of music fundamentals. Introduction to tonality, including partwriting, voice leading and in-depth discussion of tonic and dominant functions. Integrated approach includes analysis, writing, sight-singing, listening and dictation.

Sec Days Time Room
1DAILY8:00–8:50FA227
2DAILY9:00–9:50FA227
3DAILY10:00–10:50FA227
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MT 106: Theory II

4 cr.

Continued study of tonality from harmonic and linear perspectives, including pre-dominant functions, the phrase model and common diatonic harmonic functions. Introduction to phrase-level form, harmonic sequences and chromaticism (applied dominants and tonicization). Integrated approach includes analysis, writing, sight-singing, listening and dictation.

Prerequisite: MT 105.

No sections offered in the fall semester…

MT 205: Theory III

4 cr.

Continued study of tonality from harmonic and linear perspectives, tracing chromaticism from basic modulations through advanced chromaticism of the 19th century, tonal ambiguity and the twilight of tonality. Includes discussion of major tonal forms. Integrated approach includes analysis, writing, sight- singing and dictation. Lecture and lab .

Prerequisite: MT 106.

Sec Days Time Room
1DAILY2:00–2:50FA227
2DAILY3:00–3:50FA227

MT 206: Theory IV

4 cr.

Introduction to post-tonal music theory. Emphasis on analytical techniques, including basic terms and operations of set theory. Integrated approach includes analysis, writing, sight-singing, listening and dictation. Lecture and lab.

Prerequisite: MT 205.

No sections offered in the fall semester…

MT 291: Theory III Lab

0 cr.

Application at the keyboard for concepts studied in Basic Harmony I and II and Advanced Harmony I, with emphasis on figured bass. Development of a digital awareness of harmonic function within tonality and in modulations.

Corequisite: MT 205.

Sec Days Time Room
11 InfoT8:00–8:50FA 10
12T1:00–1:50FA 10
13TH8:00–8:50FA 10
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MT 292: Theory IV Lab

0 cr.

Application at the keyboard for concepts studied in Basic Harmony I and II and Advanced Harmony I, with emphasis on figured bass. Development of a digital awareness of harmonic function within tonality and in modulations.

Corequisite: MT 206.

No sections offered in the fall semester…

MT 301: Elements of Conducting

1 cr.

Introduction to basic choral and instrumental conducting. Development of hand independence and baton technique through extensive in-class conducting.

Prerequisite: MT 106.

Sec Days Time Room
1MW9:00–9:50FA120
2MW10:00–10:50FA120
3TTH10:00–10:50FA120

MT 302: Choral Conducting

2 cr.

Development of conducting techniques necessary to interpret choral literature from five style periods. Includes score analysis, rehearsal technique and extensive in-class conducting. Lecture and lab.

Prerequisite: MT 301.

No sections offered in the fall semester…

MT 303: Instrumental Conducting

2 cr.

Instrumental conducting and score-reading techniques and rehearsal procedures. Acquainting the student with instrumental repertoire and practical experience in conducting compositions for small ensembles, band and orchestra.

Prerequisites: MT 301, MT 206.

No sections offered in the fall semester…

MT 392: Choral Conducting Lab

0 cr.

Corequisite: MT 302.

No sections offered in the fall semester…

MT 409: Form & Analysis

2 cr.

Application of terms, concepts and perspectives from Theory I-IV toward insightful, higher-level analysis and theorizing about music. Synthesis of formal analysis, stylistic/critical analysis and other analytical approaches.

Prerequisite: MT 206.

No sections offered in the fall semester…

MT 499: Theory Review

2 cr.

Accelerated review of the elements and principles of musical composition of the common practice era, including application of aural skills. Introduction to key current perspectives in graduate-level theory and analysis. Review class for graduate studies. Credit not applicable toward any degree.

Sec Days Time Room
1MW10:00–10:50FA226

MT 501: Eighteenth-Century Counterpoint

2 cr.

Analysis of contrapuntal writings of the outstanding composers of the eighteenth century. Writing of counterpoint in two voices. Concentration on the chorale prelude, two-part invention and fugue.

Prerequisite: MT 206.

Sec Days Time Room
1TTH10:00–10:50FA226

MT 502: Choral Composition

2 cr.

Foundational elements of writing choral music. Listening, reading, singing and analysis of model compositions. Applicable readings and exercises.

Prerequisite: MT 206.

Sec Days Time Room
1TTH1:00–1:50FA224

MT 504: Orchestration

2 cr.

Band and orchestral instruments, their ranges, technical and sonorous advantages and limitations, transpositions and place in the score. Extensive practice in arranging technique.

Prerequisite: MT 206.

Sec Days Time Room
1TTH10:00–10:50FA224

MT 506: Introduction to Schenkerian Analysis

2 cr.

Analysis of selected masterworks from Bach to Brahms using techniques developed by Heinrich Schenker, with emphasis on aural comprehension of voice leading.

Prerequisite: MT 501.

This course is not offered this academic year.

MT 507: Basic Composition

2 cr.

Foundational elements of composition. Exploration of various facets of creativity and craft. Listening, singing and analysis of model compositions. Applicable readings and composition exercises.

Prerequisite: MT 501.

No sections offered in the fall semester…

MT 508: Analytic Techniques for Modern Music

2 cr.

A study of the materials and techniques of art music of the twentieth and twenty-first centuries.

No sections offered in the fall semester…

MT 602: Advanced Keyboard Skills

2 cr.

The development of functional skills at the advanced level for pianists and organists.

This course is not offered this academic year.

MT 603: Advanced Choral Conducting

2 cr.

Conducting technique and style. Score analysis. Conducting of laboratory ensembles with faculty guidance.

Sec Days Time Room
1MW12:00–12:50FA227
1TTH10:00–10:50FA 11

MT 605: Composition I

1 cr.

Supervised composition in student-chosen genres with emphasis on concert music. Assigned readings, listening, and analyses applicable to students' interests and projects. Non-composition principals only.

Prerequisites: MT 502, MT 504, MT 507.

Sec Days Time Room
1TBATBAFA222

MT 606: Composition II

1 cr.

Supervised composition in student-chosen genres with emphasis on concert music. Assigned readings, listening, and analyses applicable to students' interests and projects. Non-composition principals only.

Prerequisite: MT 605.

Sec Days Time Room
1TBATBAFA222

MT 607: Advanced Instrumental Conducting

2 cr.

Advanced exercises to develop hand and mind coordination: baton techniques, score reading, transpositions, and bowing techniques. Conducting of laboratory ensembles with faculty guidance.

This course is not offered this academic year.

MT 608: Studies in Schenkerian Analysis

2 cr.

Application of the basic principles of Schenkerian analysis to the study of complete movements and works of the tonal repertoire, including one-part, binary, ternary, rondo, sonata, and sonata-rondo forms.

Prerequisite: MT 506.

This course is not offered this academic year.

MT 610: Church Music Composition

2 cr.

Supervised composition of vocal, choral, and instrumental church music. May include small compositions, readings, listening, analysis, and philosophy. Open to graduate church music majors or others by permission of instructor.

Prerequisite: MT 502.

Sec Days Time Room
1TBATBAFA123

MT 614: Stylistic Analysis

2 cr.

Overview of musical styles from the Middle Ages through the Classic Era with contextual analysis of works.

Prerequisites: MT 499 or Music Theory Placement Tes.

This course is not offered this academic year.

MT 615: Stylistic Analysis

2 cr.

Overview of musical styles from the Classic Era through the present with contextual analysis of works.

Prerequisites: MT 499 or Music Theory Placement Tes.

No sections offered in the fall semester…

MT 691: Private Composition

1 cr.

Sec Days Time Room
1TBATBATBA